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April 20th, 2009

Top 10 Genre Movies: 17 Again debuts in top spot

17again-thTeen heart-throb Zac Efron’s latest film, the light fantasy comedy 17 Again pulled in enough teen greenbacks to finish in the top spot in this past weekend’s box office. . It brought in more than $24 million in ticket sales in its debut- weekend – almost more than the next two top-grossing films combined.

The only sci fi flick to debut this weekend was the Spanish-language Sleep Dealer, whichwas shown only an a hanful of theatres in Los Angeles and New York. It debuted at No. 10 on the genre movie list and No. 37 overall with just over $30 thousand.

The sole genre film set to debut next week: The Mutant Chronicles also is set for a limited release befire going to DVD and a broadcast TV debut on the Sci Fi Channel later this summer.

Following are the Top 10 speculative fiction movies in release in North America for the weekend of April 17-19 , 2009.

RANK #. (Overall Rank) Title – Weekend Gross | Total Gross [Budget]

  1. (1) 17 Again – $24 milllion | $24 million [N/A]
  2. (3) Monsters vs. Aliens – $13 million | 163 million [$175 million]
  3. (8) Knowing – $3.4 million | $74 million [N/A]
  4. (10) The Haunting in Connecticut – $3.2 million | $52 million [N/A]
  5. (11) Dragonball Evolution – $1.6 million | $7.8 million [N/A]
  6. (15) Race to Witch Mountain – $0.7 million | $64 million [N/A]
  7. (23) Coraline – $0.2 million | $75 million [N/A]
  8. (26) Push- $0.09 million | $32 million [$38 million]
  9. optical channel(30) The Curious Case of Benjamin Button – $0.06 million | $127.5 million [$150 million]
  10. (37) Sleep Dealer – $0.03 million | $0.03 million [N/A]

Source: Box Office Mojo – list only includes science fiction, spy fi, fantasy and dark fantasy/horror titles.

September 16th, 2008

SFTV Ratings: Fringe dominates genre competition

Last week marked the beginning of summer re-run season is ending as FOX jumped the gun, with the debut of the new science fantasy/horror series, Fringe, on Tuesday. The network also started its new season of Terminator: The Sarah Connor Chronicles.

Every other science fiction, fantasy or horror show on broadcast TV last week was still in reruns.

In the battle for viewers, Fringe attracted 9 million viewers last Tuesday – topping the list of genre programs. The show’s debut brought in close to 10% of the viewing public, which is FOX’s highest debut for a drama series in two years.

The network ran a repeat episode of Fringe on Sunday, Sept. 14, where it attracted an additional 5.7 million viewers for about 6 percent of the TVs being used that night.

It’s a good start, but may not be an indication of how well the show will perform once ABC, CBS and NBC stop showing repeats and start airing new episodes on Tuesdays. Luckily, Fringe has a great lead-in following House starting on the 16th.

FOX’s other debut this past week, the sophomore season of Terminator: The Sarah Connor Chronicles didn’t fare as well against NBC’s Deal or No Deal and CBS’s repeat of The Big Bang Theory. Sarah Connor attracted a mere 6.3 million viewers, barely beating out a repeat of Ghost Whisperer for the No. 2 Genre TV spot.

Following are the ratings for speculative fiction shows that aired on the broadcast networks last week:

SHOW [NET] # Viewers – 18-49/% watching (18-34/%) | Date

  • 1. Fringe [FOX] 9 million – 3.2/9 (2.5/8) | Sept. 9
  • 2. Terminator: The Sarah Connor Chronicles [FOX] 6.3 million – 2.4/7 (2.1/6) | Sept. 8
  • 3. Ghost Whisperer (repeat) [CBS] 6.2 million — (1.6/5) | Sept. 12 (9 p.m.)
  • 4. Fringe (repeat) [FOX] 5.7 2.3/6 (19./6) | Sept. 14
  • 5. Ghost Whisperer (repeat) [CBS] 5.7 million — (1.5/5) | Sept. 12 (8 p.m.)
  • 6. Chuck (repeat) [NBC] 2.5 million — (0.8/3) | Sept. 13
  • 7. Smallville (repeat) [CW] 2 million – 0.8/2 (0.7/2) | Sept. 11
  • 8. Supernatural (repeat) [CW] 1.7 million – 0.6/2 (0.5/2) | Sept. 11

Source: Nielsen Media Research

September 14th, 2008

Review: FOX’s Fringe is a creepy good time

The newest high-profile science fiction TV series debuted this past week. Created by J.J. Abrams (LOST), it follows the live of a government agent who stumbles upon one the biggest secrets in the world – and she finds out there is no going back. Following is a review of the pilot episode of this new series, Fringe.

Airs: Tuesdays, 9 p.m. (ET/PT)
Network: FOX
Rating: TV-14 (Graphic Violence, Language, Adult Situations)

First of all, let’s settle one dispute: Fringe is not a true “science fiction” series. The physics used in the show do not add up. The “science” behind the wonders depicted in this series is just too unbelievable to be taken seriously. So don’t. If you can get past that, you will probably enjoy this series.

If you must label the show with a specific subset of genre fiction, Fringe would fall under “science fantasy” – which is just like any other fantasy story, except the traditional trappings such as magic potions, spells, and crystal balls are replaced by the trappings of science. Potions become drugs; spells become computer code and mathematical algorithms, and crystal balls become the Internet. The list goes on, but you get the point.

According to interviews in the mainstream press, J.J. Abrams wanted to recreate the allegorical qualities of classic science fiction, fantasy and horror TV such as that written by Rod Serling. His goal is to comment on today’s society while using a fantastic world of fiction to depict harsh realities without turning off network censors or the viewing public who just wants to be entertained.

That’s a tall order – but judging from the pilot episode, it just may work.

Fringe is a smart, thrilling, funny and scary series. It holds the potential to be as good as X-Files or Supernatural. That is – if FOX doesn’t cancel the show before audiences find it – as the network has done countless other times.

CAST

  • Olivia Dunham, played by Anna Torv
  • Peter Bishop, played by Joshua Jackson (Dawson’s Creek)
  • Dr. Walter Bishop, played by John Noble (Lord of the Rings)
  • Phillip Broyles, played by Lance Reddick (The Wire)
  • Charlie Francis, played by Kirk Acevedo (Oz)
  • Nina Sharp, played by Blair Brown

ABOUT THE STORY
(SPOILER WARNING)

Fringe follows the lives of a mid-level government security agent named Olivia Dunham (Anna Torv) and the people around her.

But before we get to her, the pilot episode starts out on an airplane during an international flight – when something horrible goes wrong. (So far, this looks and feels like the first episode of LOST – which is odd since that’s the show that J.J. Abrams is famous for creating).

The something wrong here appeared to be some sort of ultra-fast flesh-eating virus that literally causes the flesh to melt off the bones of the plane’s passengers and crew during mid-flight.

It turns out the plane landed safely because of auto pilot landing available at Boston’s airport. That’s when the Feds arrive: CIA. FBI, the CDC and Homeland Security. It turns out that the hero of the story, Olivia Dunham is some sort of inter-agency liaison set up after 9/11.

As agents from the different agencies gather, a man named Phillip Broyles (Lance Reddick) from Homeland Security takes charge – giving assignments to everyone except Dunham. As it happens, sometime in the past, she was an investigator that uncovered that some of Broyles friends were crooked – which led to their arrest. Broyels doesn’t like Dunham and mocks her and her job – but eventually relents and allows her to take part in the investigation – doing grunt work.

As it turns out, Dunham is having an affair with a co-worker – a fellow agent – which is forbidden by their employer. That man also is on the same case.

While checking out a warehouse, Dunham and her boyfriend are caught in an explosion. She had minor injuries – he got – “infected” by some mysterious fatal condition or disease … or something … that made his flesh turn translucent. But the fatality was slowed by inducing an artificial coma and putting him on ice – literally.

That’s the set up for this story. Dunham fights against time and a boss that hates her to save the life of her boyfriend. In doing so, she tracks down a man – Dr. Walter Bishop (John Noble) – who was working on similar technology for the U.S. government in the 1970s. Of course he went nuts and now lives in a loony bin – with no visitors except for immediate family. Her boss will not let her use federal authority to get the guy out of the asylum.

Now we have a woman fighting against time, a boss that hates her and her only hope to save her boyfriend is a man trapped in a loony bin. Getting interesting – if not plausible.

It turns out that all of Dr. Bishop’s immediate family is dead – except for a son – Peter Bishop (Joshua Jackson) who is running from the mob and trying to scam Iraqi government contractors into getting a job in Baghdad. Naturally, Peter Bishop has an IQ of 190 and is a genius like his father. He’s also running from the mob because of gambling debts incurred while trying to get rich off casinos.

Dunham uses some arm twisting and bluffing (the guy is obviously bad at gambling) to get Peter out of Iraq and on a plane to Boston to visit the elder Dr. Bishop – who Peter hates, naturally.

As it turns out, in saving her boyfriend’s life, Dunham uncovers a “pattern” and some secrets that the world governments are keeping from the general population. In this case, those “governments” also include a huge corporation called Massive Dynamic, which is kind of like a cross between Microsoft and GE. The owner of the company is Dr. Bishop’s former lab partner. We don’t met the big boss of Massive Dynamic, but we to meet Nina Sharp (Blair Brown), his left-hand woman (her right hand is bionic).

By the end of the pilot, Dunham has assembled a Scooby gang of sorts which includes the Bishops and her assistant Astrid Farnsworth (Jasika Nicole). Oh, and she also saves the life of her boyfriend, is betrayed and ultimately gains the acceptance and respect of her boss.

He likes her so much, he offers her a new job fighting “the pattern” and unlimited resources to get it done… Hence a series begins.


September 7th, 2008

Top Genre TV Shows: National Treasure dominates

NBC’s showing of theatrical movie, National Treasure led the meek offering of genre-related programming this past week on broadcast television. The Nick Cage-starring fantasy spy-fi adventure flick beat out repeat episodes of Ghost Whisperer and Chuck to take the genre crown in the few day before the Big 5 networks started rolling out their fall TV premieres.

The CW pre-empted showings of Reaper, Supernatural and Smallville for the debut and repeat airings of re-tread teen soap opera 90210 - a re-make of the 1980s FOX hit series.

Following are the ratings for speculative fiction shows that aired on the broadcast networks last week (August 29-September 4, 2008):

SHOW | [NETWORK] | Rating (Air Date)

  • National Treasure [NBC] 1.8 [August 31]
  • Ghost Whisperer [CBS] 1.4 (August 29)
  • Chuck [CBS] 0.7 (August 30)

Source: Nielsen Media Research

August 25th, 2008

Genre TV Top 8: Sci-Fi reruns vs. Olympics

Following are the ratings for speculative fiction shows that aired on the broadcast networks August 18-24, 2008 (all shows were in repeat):

SHOW | [NETWORK] | Rating (Air Date)

  • 1. (tie) Madagascar [ABC] 1.1 (August 23)
  • 1. (tie) Terminator: The Sarah Connor Chronicles [FOX] 1.1 (August 20)
  • 3. (tie) Smallville [CW] 0.9 (August 24)
  • 3. (tie) Terminator: The Sarah Connor Chronicles [FOX] 0.9 (August 19)
  • 5. (tie) Eli Stone [ABC] 0.6 (August 22)
  • 5. (tie) Smallville [CW] 0.6 (August 21)
  • 5. (tie) Supernatural [CW] 0.6 (August 21)
  • 8.  Reaper [CW] 0.4 (August 19)

Source: Nielsen Media Research

August 15th, 2008

Top 12 Genre TV: War of the Worlds takes top spot

Broadcast networks turned to a record 12 Science Fiction and Fantasy programs to counter the Summer Olympics – with mixed results. A repeat showing of the Tom Cruise film, War of the Worlds ranked at the most-watched genre TV show of the past week.

Following are the ratings for all speculative fiction shows that aired on the broadcast networks between August 8 and 14, 2008 (all shows were in repeat):

SHOW | [NETWORK] | Rating (Air Date)

  • 1. War of the Worlds [ABC] 1.2 (August 8 )
  • 2. Ghost Whisperer [CBS] 1.1 (August 8 )
  • 3. (tie) Hellboy [FOX] 1.0 (August 8 )
  • 3. (tie) Shark Tale [ABC] 1.0 (August 9)
  • 3. (tie) Terminator: The Sarah Connor Chronicles [FOX] 1.0 (August 11)
  • 3. (tie) Terminator: The Sarah Connor Chronicles [FOX] 1.0 (August 12)
  • 7. Terminator: The Sarah Connor Chronicles [FOX] 0.9 (August 10)
  • 8. Terminator: The Sarah Connor Chronicles [FOX] 0.8 (August 13)
  • 9. Eli Stone [ABC] 0.7 (August 9)
  • 10. (tie) Smallville [CW] 0.6 (August 14)
  • 10. (tie) Supernatural [CW] 0.6 (August 14)
  • 12. Reaper [CW] 0.5 (August 12)

Source: Nielsen Media Research

August 2nd, 2008

SFTV Ratings: ‘Fear Itself’ climbs back to No. 1

Following are the ratings for speculative fiction shows that aired on the broadcast networks last week (all shows were in repeat except Fear Itself):

SHOW | [NETWORK] | Rating (Air Date)

  • 1. Fear Itself [NBC] 1.4 (July 31)
  • 2. Ghost Whisperer [CBS] 1.3 (July 25)
  • 3. Reaper [CW] 0.9 (July 29)
  • 4. Peter Pan [ABC] 0.8 (July 26)
  • 5. Smallville [CW] 0.7 (July 31)
  • 6. (tie) Eli Stone [ABC] 0.6 (July 26)
  • 6. (tie) Supernatural [CW] 0.6 (July 31)

Source: Nielsen Media Research