Audiences spent just shy of $36 million to give Hellboy II: The Golden Army the lead of the pack over the July 11-13 weekend, knocking Will Smith’s Hancock to the No. 2 spot in its second week.
In the battle of the new sci-fi kiddie flicks, Journey to the Center of the Earth, starring Brendan Fraser, with its $20.5 million take on 2,811 screens beat out the newest Eddie Murphy film, Meet Dave, which only brought in $5.3 million on 3,011 screens.
In the 980s it would be unheard of for an Eddie Murphy picture to open so small, although this may be good news for Fraser, who’s new big-budget action picture, The Mummy; Tomb of the Dragon Emperor opens in three weeks.
Of all the Top 10 films of the week – all but the ninth spot ( ‘tween chick flick Kit Kittredge: An American Girl) were either science fiction, fantasy, horror or spy fi.
Following are the Top 10 speculative fiction movies in release in North America for the weekend of July 11 -13, 2008.
RANK #. (Overall Rank) Title – Weekend Gross | Total Gross [Budget]
(1) Hellboy II: The Golden Army – $35.9 million | $35.9 million [$85 million]
(2) Hancock – $33.0 million | $165.0 million [$150 million]
(3) Journey to the Center of the Earth 3d – $20.6 million | $20.6 million [$60 million]
(4) WALL-E – $18.5 million | $162.8 million [$180 million]
(5) Wanted – $11.6 million | $112.0 million [$75 million]
(6) Get Smart – $7.1 million | $111.5 million [$80 million]
(7) Meet Dave – $5.3 million | $5.3 million [$60 million]
(8) Kung Fu Panda – $4.3 million | $202.0 million [$130 million]
(10) Indiana Jones: Crystal Skull – $2.3 million | $310.5 million [$185 million]
(11) The Incredible Hulk – $2.2 million | $129.8 million [$150 million]
Source: Box Office Mojo – list only includes science fiction, spy fi, fantasy and dark fantasy/horror titles.
After his Oscar nomination for best supporting actor in the 2006 Dreamgirls, movie critics expect more out of Eddie Murphy.
But he seems content to make slapstick gross-out comedies aimed at the 10-to-13-year old market (and those who laugh like pre-teens).
His latest movie, Meet Dave (previously called Starship Dave before some P.R.-type decided to de-sci-fi the title), has Murphy returning to comedic science fiction.
His last outing in the genre was 2002′s The Adventures of Pluto Nash which was a box office failure, but has gained a cult following due to its campy nature.
Meet Dave has Murphy teamed with Norbit director Brian Robbins (a former child actor and teen heartthrob in the 1986-1991 series, Head of the Class, who grew up to be an executive producer of Smallville).
Judging from the reviews, most mainstream film critics are not fans of the Murphy-Robbins duo. And if they have to choose a target of their venom – it more often than not is aimed at Robbins.
Positive notes include kudos to Murphy’s mastery of subtle characterization mixed with the broad comedy of physical slapstick humor.
Negative comments include digs at a supposedly tired concept, overacting by everyone except Murphy and humor that may insult the intelligence of anyone past puberty.
WATCH THE TRAILER
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Pre-teen family friendly if you don’t mind slightly naughty potty humor
{/rw_good} –>
<!– {rw_bad}
Overacting by most of the cast
Cited for poor direction
Plot runs thin
{/rw_bad} –>
<!– {rw_score}
{for="Los Angeles Times" value="3"}
"If Murphy seems to have learned something from the scathing reaction to the excessive and generally grotesque "Norbit," Brian Robbins, who directed that movie as well as this one, has not. As if to make up for Murphy's tightly controlled performance, the movie's other actors are pushed past the limits of parody. " – Sam Adams
{/for}
{for=”New York Times” value=”4″}
“The movie plays like a half-hour sitcom episode that has been stretched — principally through Mr. Murphy’s walking and talking — to feature-length running time.” – Manola Dargis
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{for=”Reuters” value=”4″}
“Like most of Murphy’s recent output, the movie aims low — as in, the targeted pint-sized audience — and its family-friendly results should translate into some solid summer numbers up on its Friday release.” – Michael Rechtshaffen
{/for}
{for=”Boston Herald” value=”2″}
“With toilet humor, such corny-as-Kansas lines as ‘How do you know when you feel love?’ and a too-predictable scenario that never lets Murphy do much more than mug, Meet Dave deserves a ‘no thanks.’” – Stephen Schaefer
{/for}
{for=”Orlando Sentinel” value=”6″}
“It says volumes about the state of Eddie Murphy’s comedy career that Meet Dave, his latest, is his least hateful film in years. For an actor known for making fun of gays, women, fat people, white people, gays, Asians and homosexuals, that’s saying something.” – Roger Moore
{/for}
{for=”San Francisco Chronicle” value=”7″}
“His new comedy, Meet Dave, isn’t likely to win Murphy another Oscar nomination. But at least it allows him to do what he does best – loads of physical comedy – and doesn’t rely principally on special effects for its humor.” – Ruthe Stein
{/for}
{for=”Chicago Tribune” value=”5″}
“Murphy as a brother from another planet inhabited by a team of little men and women supplying his every word and move, is its occasional funniness amid a sea of pablum. If it were completely rank, it’d be less frustrating.” – Michael Phillips
{/for}
{for=”Philadelphia Inquirer” value=”7″}
“In Meet Dave, family-friendly as a Fourth of July picnic, Murphy and Norbit director Brian Robbins redeem themselves with a performance and scenario that might have been developed for Steve Martin.” – Carrie Rickey
Plot: Earth’s natural resources have been exhausted by mankind and battle rages between the soldiers of four leading Corporations: the Capitol, Bauhaus, Mishima and Imperial.
Studio: Independent (No U.S. Distributor yet)
Director: Simon Hunter (Lighthouse)
Writer: Philip Eisner (Event Horizon, Firestarter 2: Rekindled)
Cast:
Ron Perlman (Hellboy, Hellboy 2) as Brother Samuel
Thomas Jane (The Mist, The Punisher, Dreamcatcher) as Major Mitch Hunter
John Malkovich (Beowulf, Eragon) as Constantine
Anna Walton (Hellboy 2) as Severian
Devon Aoki (Sin City) as Valerie Duval
Benno Fürmann (Speed Racer) as Steiner
Shauna Macdonald (The Descent) as Adelaide
Roger Ashton-Griffiths (Torchwood, The Brothers Grimm) as Science Monk
Below is a list of the top-grossing science fiction, fantasy, spy fi and supernatural horror/dark fantasy films first released in North America in 2008. They are listed in order of worldwide gross as of June 29, 2008.
KEY: Rank (Overall rank) Title [Genre] – Worldwide Gross | U.S. Gross (U.S. Rank) COLORS:GREEN = still in theaters; RED = lost money; BLACK orBOLD ITALIC= Broke even or better
(1) Indiana Jones: Crystal Skull [Fantasy] – $690.9 million | $299.9 million (2)
(2) Iron Man [Superhero] – $560.2 million | $309.2 million (1)
(4) Horton Hears a Who [Fantasy] – $294.3 million | 153.8 million (4)
(5) Narnia: Prince Caspian [Fantasy] – $275.2 million | $137.7 million (6)
(6) 10,000 B.C. [Fantasy] – $269.1 million | $94.8 million (8)
(7) Kung Fu Panda [Fantasy] – $247.4 million | $179.3 million (3)
(8) Jumper [Science Fantasy] – $221.9 million | $80.2 million (11)
(10) The Incredible Hulk (Superhero) – $179.6 million | 115.5 million (7)
(11) Cloverfiled [Science Fiction/Horror] – $170.5 million | $80.0 million (12)
(12) Spiderwick Chronicles [Fantasy} - $162.2 million | $71.2 million (17)
(17) The Happening [Science Fiction/Horror] – $119.2 million | $59.1 million (23)
(20) The Forbidden Kingdom [Fantasy] – $105.7 million | $52.1 million (25)
(25) Get Smart [Spy-fi comedy] – $83.2 million | $77.3 million (14)
(26) Speed Racer [Fantasy] – $82.6 million | $42.8 million (32)
(27) Nim’s Island [Fantasy] – $75.6 million | 47.1 million (28)
(30) Wall-E [Science Fiction] – $62.5 million | 62.5 million (21)
(33) Superhero Movie [Superhero comedy] – $57.6 million | $25.8 million (50)
(34) The Eye [Horror] – $56.3 million | $31.4 million (42)
(41) CJ7 [Science fiction comedy] – $46.7 million | $0.2 million (141)
(44) Shutter [Horror] – $44.0 million | $25.9 million (49)
(45) One Missed Call [Horror] – $43.7 million | $26.9 million (46)
(65) The Ruins [Horror] – $21.4 million | $17.4 million (54)
(67) Penelope [Fantasy] – $20.6 million | $10.0 million (62)
(68) Doomsday [Science Fiction Horror] – $19.5 million | $11.0 million (60)
(72) Over Her Dead Body [Fantasy} - $17.8 million | $7.6 million (68)
(80) The Pirates Who Don't Do Anything [Fantasy] – $12.9 million | $12.7 million (56)
(84) In the Name of the King [Fantasy] – $11.8 million | $4.8 million (74)
(112) Shrooms [Horror] – $3.7 million | $2.9 thousand (*)
(117) Diary of the Dead [Horror] – $3.1 million | $43.3 thousand (*)
(132) The Fall – $1.9 million | $1.7 million (86)
(139) Teeth – $1.4 million | $346 thousand (123)
(179) The Signal – $251 Thousand | $251 thousand (133)
(199) Poultreygeist: Night of the Chicken Dead – $22.6 thousand | $13.8 thousand (*)
Longtime fan Jack Speer passed away early in the morning June 28, 2008. A member of First Fandom (FF), he was inducted in the FF Hall of Fame in 1995 and was the FGoH (fan guest of honor) at the 2004 Worldcon.
He died as approximately 3 a.m. Saturday morning in his home in Albuquerque, New Mexico, as discovered by Ruth, his wife of many years.
In the mundane world, John Bristol Speer was a retired lawyer who resided in Albuquerque since 1962; previously, he was a Democrat state representative from the Bend, Washington area during 1959-1961.
Jack was a giant in science fiction fandom, a founding member of N3F, FAPA and the original historian of science fiction fandom.
His 1944 Fancyclopedia has spawned many imitators over the years (including one on this site) and his 1939 book, Up To Now: A History of Science Fiction Fandom, is still used as a reference almost 70 years after first publication thanks to its recently resurrected electronic form on efanzines.com.
Fellow science fiction historian Harry Warner credited Jack Speer as “the first to stress [fandom's] subcultural aspects. Single-handedly, he made fandom’s ayjays something entirely different from the mundane amateur journalism groups.”
During his early prankster days in fandom, Speer was also known by the fannish name, John Bristol (his first and middle name sans surname).
A fandom innovator, he is also credited with being the father of the fanzine mailing comment.
Jack was the second editor of N3F’s The National Fantasy Fan in the 1940s, after founding editor, E. E. Evans.
Description: Dragon*Con is the largest multi-media, popular culture convention focusing on science fiction and fantasy, gaming, comics, literature, art, music, and film in the US. Our host hotels for 2008 will again include the familiar surroundings of the Hyatt Regency Atlanta along with the legendary Atlanta Marriott Marquis and the Atlanta Hilton. The Hilton is across the street from the Marriott which is connected by a climate-controlled tube-way to the Hyatt. The Marriott is easily the most architecturally unique hotel in the city, if not the entire Southeast. We are pleased to announce the addition of the Sheraton Atlanta Hotel to the list of fabulous hotels hosting Dragon*Con 2008! Dragon*ConTV will be available in all four host hotels.
In what may turn out to be the most universal of critically acclaimed films of 2008, WALL·E, a dystopian science fiction cartoon made by Disney’s PIXAR studios shines.
Set 700 years in the future, it revolves around a little robot dealing with the aftermath of life on Earth long after humanity fled the plant due to it becoming uninhabitable from environmental short-sightedness.
In what sounds like a depressing and bleak story, critics agree that instead, this is an uplifting film about hope and love even in the face of seemingly insurmountable odds.
Of critical response, the film was noted for maintaining the PIXAR tradition of being both child-friendly without being mind-numbingly boring for adults. In fact, most critics found the story very appealing because they were adults.
Also, the movie was noted as having some of the best special effects and storytelling of the year.
Following is a collection of reviews by some of the more prominent movie critics:
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Special Effects
Family Friendliness
Doesn’t Insult Intelligence of Adults
Good Story
Appealing Characters
{/rw_good} –>
<!– {rw_bad}
May be too slow or too scary for very small children
{/rw_bad} –>
<!– {rw_score}
{for="National Post – Canada" value="10"}
"An automatic classic that will stand the test of time and sear itself into the collective memory of a generation, WALL-E is so profoundly moving, so quietly eloquent and so purely magical, it may well be movie of the decade." – Katherine Monk
{/for}
{for="Hollywood Reporter" value="9"}
"This is getting to sound like a broken record: Pixar Animation Studios has just topped itself. Again." – Kirk Honeycutt
{/for}
{for="Los Angeles Times" value="9"}
"Part robot romance between two mismatched mechanized marvels, part science fiction saga with deliberate echoes of Stanley Kubrick's '2001,' this may be the first animated feature to pivot around novelist E.M. Forster's famous imperative, 'Only connect.'" – Kenneth Turan
{/for}
{/for}
{for="Chicago Sun-Times" value="8"}
"I thought I had just about exhausted my emergency supply of childlike credulity, but here is a film, like “Finding Nemo,” that you can enjoy even if you’ve grown up. That it works largely without spoken dialogue is all the more astonishing; it can easily cross language barriers, which is all the better, considering that it tells a planetary story." – Roger Ebert
{/for}
{for="Washington Post Family Filmgoer – Kid Friendliness" value="9"}
"Although it is funny and exciting, with vivid characters, albeit robotic, some kids might fidget at times and be upset by some parts. Scary bits include roaring dust storms, explosive lasers and fiery spaceship landings. The movie is preceded by "Presto," a breathlessly funny animated short, also rated G, about a magician and his rabbit." – Jane Hortwitz
{/for}
{/for}
{for="Associated Press" value="9"}
"Within the rumbling, stumbling hunk of junk that is WALL-E beats the sweetest, warmest heart – a robotic representation of humanity's highest potential." – Christy Lemire
{/for}
{for="Chicago Tribune" value="8"}
"All the elements fold into a unified creation. Stanton doesn't strain for a message or for his emotional effects. The story's core may be closer to "The Little Prince" than "The Little Mermaid," but this vision of an optimist surviving a pretty rough patch in his planet's history just plain works. Like Voltaire's "Candide," WALL-E learns to tend to the garden. While I may argue with the little guy's taste in musicals, it's remarkable to see any film, in any genre, blend honest sentiment with genuine wit and a visual landscape unlike any other." – Michael Phillips
{/for}
{for="USA Today" value="8"}
"WALL·E is at once futuristic, funny and fantastical. It’s an extraordinarily captivating adventure, laden with equal parts humor and heart and populated with memorable and endearing characters.” – Claudia Puig
Veteran TV show Lost and cartoon-come-to-life musical comedy film, Enchanted, cleaned up at the 34th Annual Saturn Awards Tuesday night. Lost took home four trophies for Best Network TV series and three of the four TV acting categories. Enchanted won for Best Fantasy Film, Best Actress (Amy Adams) and Best Music.
Best Science Fiction Film went to Cloverfield and Best Horror Film went to the Johnny Depp/Tim Burton musical, Sweeney Todd. The Best Director nod went to Zach Snyder for his film, 300, which revolutionized green-screen technology and the use of computer-generated imagery to bring the comic book tothe big screen.
Will Smith picked up a best acting award for his almost-one-man-show tour de force turn in, I Am Legend.
The complete list of winners follows:
2008 Saturn Award Winners
Presented by the Academy of Science Fiction, Fantasy and Horror Films, June 24, 2008 in Universal City, California.
Best Science Fiction Film: Cloverfield
Best Fantasy Film: Enchanted
Best Horror Film: Sweeney Todd: The Demon Barber of Fleet St.
Best Action/Adventure/Thriller Film: 300
Best Actor: Will Smith (I Am Legend)
Best Actress: Amy Adams (Enchanted)
Best Supporting Actor: Javier Bardem (No Country for Old Men)
Best Supporting Actress: Marcia Gay Harden (The Mist)
Best Performance by a Younger Actor: Freddie Highmore (August Rush)
Best Direction: Zack Snyder (300)
Best Writing: Brad Bird (Ratatouille)
Best Music: Alan Menken (Enchanted)
Best Costume: Colleen Atwood (Sweeney Todd: The Demon Barber of Fleet St.)
Best Make-Up: Ve Neill, Martin Samuel (Pirates of the Caribbean: At World’s End)
Best Special Effects: Scott Farrar, Scott Benza, Russell Earl, John Frazier (Transformers)
Best Animated Film: Ratatouille
Best International Film: Eastern Promises
Best Network Television Series: Lost
Best Syndicated / Cable Television Series: Dexter
Best Presentation on Television: Family Guy: Blue Harvest
Best Actor on Television: Matthew Fox (Lost)
Best Actress on Television: Jennifer Love Hewitt (Ghost Whisperer)
Best Supporting Actor on Television: Michael Emerson (Lost)
Best Supporting Actress on Television: (TIE): Summer Glau (Terminator: The Sarah Connor Chronicles) / Elizabeth Mitchell (Lost)
Best DVD Release: The Cabinet of Dr. Caligari (remix)
Best DVD Special Edition Release: Blade Runner (5 Disc Ultimate Edition)
Best DVD Classic Film Release: The Monster Squad
Best DVD Collection: Mario Bava (Box Sets 1 & 2)
Best Television Series Release on DVD: Heroes (Season 1)
Best Retro Television Series Release on DVD: Twin Peaks (Definitive Gold Box Ed.)