FanDominion

Get your geek on.
May 11th, 2009

Trailer: Terminator Salvation

[http://www.youtube.com/watch?v=IcYdjHpJUV8]

A Terminator Salvation panel discussion at Won...

Image via Wikipedia

OPENS: May 21, 2009
RATING: PG-13 (Violence, Gore, Language)
GENRE: Science Fiction, Horror

Starring: Christian Bale , Sam Worthington, Anton Yelchin, Blair Williams , Bryce Dallas Howard, Jane Alexander, Helena Bonham Carter

Director: McG

Writer: John D. Brancato & Michael Ferris

Plot: Set in post-apocalyptic 2018, John Connor is the man fated to lead the human resistance against Skynet and its

army of Terminators. But the future Connor was raised to believe in is altered in part by the appearance of Marcus Wright, a stranger whose last memory is of being on death row. Connor must decide whether Marcus has been sent from the future, or rescued from the past. As Skynet prepares its final onslaught, Connor and Marcus both embark on an odyssey that takes them into the heart of Skynet’s operations, where they uncover the terrible secret behind

the possible annihilation of mankind.

Reblog this post [with Zemanta]
April 20th, 2009

Top 10 Genre Movies: 17 Again debuts in top spot

17again-thTeen heart-throb Zac Efron’s latest film, the light fantasy comedy 17 Again pulled in enough teen greenbacks to finish in the top spot in this past weekend’s box office. . It brought in more than $24 million in ticket sales in its debut- weekend – almost more than the next two top-grossing films combined.

The only sci fi flick to debut this weekend was the Spanish-language Sleep Dealer, whichwas shown only an a hanful of theatres in Los Angeles and New York. It debuted at No. 10 on the genre movie list and No. 37 overall with just over $30 thousand.

The sole genre film set to debut next week: The Mutant Chronicles also is set for a limited release befire going to DVD and a broadcast TV debut on the Sci Fi Channel later this summer.

Following are the Top 10 speculative fiction movies in release in North America for the weekend of April 17-19 , 2009.

RANK #. (Overall Rank) Title – Weekend Gross | Total Gross [Budget]

  1. (1) 17 Again – $24 milllion | $24 million [N/A]
  2. (3) Monsters vs. Aliens – $13 million | 163 million [$175 million]
  3. (8) Knowing – $3.4 million | $74 million [N/A]
  4. (10) The Haunting in Connecticut – $3.2 million | $52 million [N/A]
  5. (11) Dragonball Evolution – $1.6 million | $7.8 million [N/A]
  6. (15) Race to Witch Mountain – $0.7 million | $64 million [N/A]
  7. (23) Coraline – $0.2 million | $75 million [N/A]
  8. (26) Push- $0.09 million | $32 million [$38 million]
  9. optical channel(30) The Curious Case of Benjamin Button – $0.06 million | $127.5 million [$150 million]
  10. (37) Sleep Dealer – $0.03 million | $0.03 million [N/A]

Source: Box Office Mojo – list only includes science fiction, spy fi, fantasy and dark fantasy/horror titles.

April 19th, 2009

Trailer: Mutant Chronicles

[http://www.youtube.com/v/gh8Esjw-R4s]

OPENS: April 24, 2009
RATING: R (Violence, Language)
GENRE: Horror, Science Fiction

Starring: Thomas Jane, Ron Perlman, Devon Aoki, Sean Pertwee, Benno Fürmann, John Malkovich

Director: Simon Hunter

Writer: Philip Eisner

Plot: In the year 2707, war rages between earths four giant corporations as they battle over the planet’s dwindling resources. In an era marked by warfare and social regression, the earth is on the verge of ruin, destruction is everywhere; battles explode on every ravaged continent. Amidst heavy combat, an errant shell shatters an ancient buried seal releasing a horrific mutant army from its eternal prison deep within the earth. As the mutant scourge threatens human extinction, a single squad of soldiers descends into the earth to fulfill the ages-old prophesy of the MUTANT CHRONICLES and save mankind.

Reblog this post [with Zemanta]
April 5th, 2009

Top 10 Genre Movies: Monsters vs. Aliens falls to No. 2

After spending last week on at the top spot, animated science fantasy flick, Monsters vs. Aliens fell to the No. 2 spot behind the fourth installment fo the Fast and the Furious franchise.

The only sci fi flick to debut this weekend was Alien Trespass, the 50′s-era sci-fi comedy spook starring Eric McCormick, which debuted at No. 29 on the genre movie list and No. 29 overall with just over $10 million.

Genre films set to debut next week: Dragonball Evolution is set for wide release.

Following are the Top 10 speculative fiction movies in release in North America for the weekend of April 3-5, 2009.

RANK #. (Overall Rank) Title – Weekend Gross | Total Gross [Budget]

  1. (2) Monsters vs. Aliens – $33.5 million | 105.7 million [$175 million]
  2. (3) The Haunting in Connecticut – $9.55 million | 37.2 million [N/A]
  3. (4) Knowing – $8.1  million | $58.3 million [N/A]
  4. (6) Race to Witch Mountain- $3.4 million | $58.4 million [N/A]
  5. (13) Watchmen – $1.1 million | $105.4 million [$150 million]
  6. (19) Coraline – $0.2 million | $74.3 million [N/A]
  7. (22) Push – $0.14 million | $31.3 million [$38 million]
  8. (23) The Curious Case of Benjamin Button – $0.13 million | $127.2 million [$150 million]
  9. (29) Alien Trespass – $0.04 million | $0.04 million [N/A]
  10. (33) Fanboys – $0.02 million | $0.6 million [N/A]

Source: Box Office Mojo – list only includes science fiction, spy fi, fantasy and dark fantasy/horror titles.

April 5th, 2009

Review: Scab

scab-flRATING: R (Graphic Sex, Nudity, Gore, Violence, Language)
OPENS: Currently playing the art-house circuit and expected on DVD for Halloween 2009.
GENRE: Horror, Gay, Indie

CHILD FRIENDLY: NO
PARENTAL WARNING: This is a film for adults. It has graphic gore, violence, same-sex sexual situations, full frontal nudity . This is ot a film you’d want to watch with any of your family members in the room – let alone children.

This film is not for the faint of heart – or the easily offended. It is full of gore, violence, seedy graphic sex (both heterosexual and homosexual) and language that would make a sailor blush.

But if that kind of stuff doesn’t bother you, Scab offers an original take on the vampire mythos.

Throughout the literary and filmed history of movies, the line between vampirism and sexuality has been blurred – at best. In Scab, the debut film by writer-director Thomas Jason Davis, who explains his own film’s matter-of-fact take on sexuality:

In my twisted little geek-boy fantasy, the lusted-for slut-boy Ajay finally admits that he loves the geek. It’s like Sixteen Candles with cockrings. Say Anything with fangs and lube and a touch more self-loathing.

- Thomas Jason Davis, Director

The Plot

The movie starts with a rather graphic and violent gay one-night stand where Ajay learns “not” doesn’t always mean know at the hangs of a vampire.

We have our initial assessment confirmed in the following scene through his two friends, Teague and Floor, talk – unknowing what happened to Ajay – discussing how their good friend Ajay is a slut who is living an empty life. We also learn that nerdy Teague has an unrequited crush on Ajay and the hunky and straight Floor is a heterosexual version of Ajay who is not above flirting with anyone – men or women – to get advantage of a situation.

Needless to say, the next time we see Ajay, he’s woken up undead and is dealing with his new hunger for neck tartar and loses touch with Teague and Floor, who come over to check in on their friend.

This leads to a road trip to Las Vegas for the three, where their journey brings about some much-needed self discovery – with a body count. This is a vampire movie, after all.

The film crates yet another mythos of what vampirism is and how it spreads. In doing so, it eliminated the already blurred line between vampires and sex.

WATCH THE TRAILER

WARNING: Course language

[http://www.youtube.com/watch?v=r9KETJHoKm0]

Reblog this post [with Zemanta]
September 21st, 2008

Top 10 Genre Movies: Igor masters weekend box office

Animated Weinstein film Igor was master of the sci-fi box office this past weekend. The film brought in $8 million in its first weekend, easily outdistancing No. 2 genre flick, Ghost Town, a fellow newcomer which brought in $5.2 million over the same period.

Last week’s No. 1, The Dark Knight, fell to the third spot with just under $3 million in ticket sales in its 10th week in release.

Genre films set to debut next week: Blindness, a dystopian thriller starring Mark Ruffalo, Julianne More, Gael Garcia Bernal, Danny Glover and Sandra Oh opens in limited release – with a wider release expected over the next few weeks. 

Following are the Top 10 speculative fiction movies in release in North America for the weekend of September 19-21, 2008.

RANK #. (Overall Rank) Title – Weekend Gross | Total Gross [Budget]

  1. (4) Igor – $8.0 million | $8.0 million [$30 million]
  2. (8) Ghost Town – $5.2 million | $5.2 million [$20 million]
  3. (9) The Dark Knight – $3.0 million | $522million [$185 million]
  4. (13) Death Race – $1.0 million | $35.0 million [$45 million]
  5. (17) Journey to the Center of the Earth – $0.8 million | $99.1 million [$60 million]
  6. (18) Babylon A.D. – $0.74 million | $21.7 million [$70 million]
  7. (19) Fly Me to the Moon – $0.73 million | $11.0 million [$25 million]
  8. (22) Mirrors – $0.47 million | $29.9 million [budget unreported]
  9. (23) The Mummy: Tomb of the Dragon Emperor – $0.40 million | $102.2 million [$145 million]
  10. (24) Star Wars: The Clone Wars – $0.36 million | $34.4 million [budget unreported]

Source: Box Office Mojo – list only includes science fiction, spy fi, fantasy and dark fantasy/horror titles.

September 19th, 2008

Review of Reviews: Igor’s appeal may be limited

OPENS: September 19, 2008
RATING: PG (Scary scenes, Violence)
GENRE: Fantasy, Animation, Comedy

The Weinstein Company releases its latest entry in animated film with Igor, a French import featuring a top-notch American cast.

A spoof of American horror movie stereotypes, the film follows the exploits of a hunchback who isn’t willing to settle for being a mindless servant to an evil genius.

According to critical reviews, Igor gets points for a winning premise, but most negative criticism is aimed at a script that is supposedly a little too unpolished for what today’s audiences expect in computer animation.

Other critics pointed out that this film seemed a little schizophrenic in that a plot tailor made for an adult audience is awkwardly shoehorned into a kiddie flick movie with mixed results.

Of the positive notes, all t=of the critics point out that the cast is talented – perhaps to the point of being better than the material they are reading.

WATCH THE TRAILER

 

<!– {rw_good}

  • Script has sharp dialogue
  • Top-notch cast
  • {/rw_good} –>

    <!– {rw_bad}

    • Scary Imagery and Violence unsuitable for young children
    • Humor too complicated for children
    • {/rw_bad} –>

      <!– {rw_score}

      {for="Toronto Globe and Mail" value="1"}

      “Are kids actually supposed to laugh at this? And if they do, should you get them into therapy?” – Liam Lacey

      {/for}

      {for=”San Francisco Chronicle” value=”5″}

      “While much of the banter between the characters is inventive, the plot turns are predictable – complete with a romantic misunderstanding straight out of “The Karate Kid” (and 20 other films). The movie ends with a big-action sequence that highlights the shortcomings of the animation and seems to go on forever.” – Peter Heartlaub

      {/for}

      {for=”San Jose Mercury News” value=”4″}

      “Chatty and dull, a bit too reliant on innuendo for a kids’ film. And the voice actors (Jay Leno rules Malaria) are funnier than their material.” – Roger Moore

      {/for}

      {for=”Seattle Post Intelligencer” value=”4″}

      Igor trudges through its story without a single surprise or unanticipated turn while marginally clever sight gags fill in the dead spaces between the flat jokes. Despite a familiar moral, this is no “Iron Giant,” just a haphazard collection of spare movie parts cobbled together in a pale imitation of better-animated comedies.” – Sean Axmaker

      {/for}

      {for=”The Hollywood Reporter” value=”5″}

       The visual style grows a bit monotonous, but a more serious problem is that the story is undernourished, and the wit erupts only in flashes.” – Stephen Farber

      {/for}

      {for=”New York Newsday” value=”7″}

      Not all the jokes work, but most do, and the overall tenor of Igor is goofily funny – probably a bit sophisticated for kids but certainly good-natured.” – John Anderson

      {/for}

      {/rw_score} –>

September 18th, 2008

Trailer: Blindness

OPENS: October 3, 2008
RATING: R (Violence, Sexual Assault, Language, Nudity)
GENRE: Horror, Thriller, Science Fiction
WEBSITE: http://www.blindness-themovie.com/

Starring: Julianne Moore, Mark Ruffalo, Danny Glover, Alice Braga, Gael García Bernal, Sandra Oh, Yusuke Iseya

Director: Fernando Meirelles

Writer: Don McKellarbased on Don McKellar’s novel.

Plot: From Nobel Prize-winning author Jose Saramago and acclaimed director Fernando Meirelles (“The Constant Gardener” and “City of God”) comes “Blindness.” It is described as “the compelling story of humanity in the grip of an epidemic of mysterious blindness. It is an unflinching exploration of human nature, both bad and good – people’s selfishness, opportunism, and indifference, but also their capacity for empathy, love, and sheer perseverance.”

It begins in a flash, as one man is instantaneously struck blind while driving home from work. His whole world is suddenly turned to an eerie, milky haze. One by one, each person he encounters – his wife, his doctor, even the seemingly Good Samaritan who gives him a lift home – will in due course suffer the same unsettling fate. As the contagion spreads, and panic and paranoia set in across the city, the newly blind victims of the “White Sickness” are rounded up and quarantined within a crumbling, abandoned mental asylum, where all semblance of ordinary life begins to break down.

But inside the quarantined hospital, there is one secret eyewitness: one woman (Moore) who has not been affected but has pretended she is blind in order to stay beside her beloved husband (Mark Ruffalo). Armed with increasing courage and the will to survive, she will lead a makeshift family of seven people on a journey, through horror and love, depravity and beauty, warfare and wonder, to break out of the hospital and into the devastated city where they may be the only hope left.

September 14th, 2008

Top 10 Genre Movies: Dark Knight leads diminishing pack

In its ninth week in release, Batman flick. The Dark Knight continued its reign at the box office this past weekend ad was top film over a dwindling group of genre films at the box office.

No new science fiction, fantasy, horror or spy-fi films have opened over the past two weekends as mainstream comedies dominated at North American movie theatres.

To date, Dark Knight  has brought in more than $517 million in ticket sales in in the U.S. and Canada, with a total of its second weekend – more than $966 million worldwide. According to Warner Brothers – expect the film to be pulled from theatres in the next week wees, only to be re-released in January 2009 during the Oscar season. The studio is hoping for both Academy Awards and to break the billion-dollar mark in ticket sales.

Genre films set to debut next week: Ghost Town starring Ricky Gervais, Greg Kinnear and Tea Leoni and the animated family fantasy, Igor starring the voices of John Cusack, John Cleese, Steve Buscemi, Eddie Izzard, Jennifer Coolidge, Jay Leno, Molly Shannon and Christian Slater.

Following are the Top 10 speculative fiction movies in release in North America for the weekend of September 12-14, 2008.

RANK #. (Overall Rank) Title – Weekend Gross | Total Gross [Budget]

  1. (7) The Dark Knight – $4.0 million | $517.7 million [$185 million]
  2. (10) Death Race – $2.0 million | $33.2 million [$45 million]
  3. (11) Babylon A.D. – $1.8 million | $20.3 million [$70 million]
  4. (14) Fly Me to the Moon – $1.3 million | $9.9 million [$25 million]
  5. (16) Journey to the Center of the Earth – $1.1 million | $98.0 million [$60 million]
  6. (18) Mirrors – $0.90 million | $29.1 million [budget unknown]
  7. (19) Star Wars: The Clone Wars – $0.82 million | $33.9 million [$budget unknown]
  8. (20) The Mummy: Tomb of the Dragon King – $0.60 million | $101.5 million [$145 million]
  9. (22) WALL-E – $0.5 million | $220.1 million [$180 million]
  10. (33) Hellboy II: The Golden Army – $0.10 million | $75.8 million [$85 million]

Source: Box Office Mojo – list only includes science fiction, spy fi, fantasy and dark fantasy/horror titles.

September 14th, 2008

Review: FOX’s Fringe is a creepy good time

The newest high-profile science fiction TV series debuted this past week. Created by J.J. Abrams (LOST), it follows the live of a government agent who stumbles upon one the biggest secrets in the world – and she finds out there is no going back. Following is a review of the pilot episode of this new series, Fringe.

Airs: Tuesdays, 9 p.m. (ET/PT)
Network: FOX
Rating: TV-14 (Graphic Violence, Language, Adult Situations)

First of all, let’s settle one dispute: Fringe is not a true “science fiction” series. The physics used in the show do not add up. The “science” behind the wonders depicted in this series is just too unbelievable to be taken seriously. So don’t. If you can get past that, you will probably enjoy this series.

If you must label the show with a specific subset of genre fiction, Fringe would fall under “science fantasy” – which is just like any other fantasy story, except the traditional trappings such as magic potions, spells, and crystal balls are replaced by the trappings of science. Potions become drugs; spells become computer code and mathematical algorithms, and crystal balls become the Internet. The list goes on, but you get the point.

According to interviews in the mainstream press, J.J. Abrams wanted to recreate the allegorical qualities of classic science fiction, fantasy and horror TV such as that written by Rod Serling. His goal is to comment on today’s society while using a fantastic world of fiction to depict harsh realities without turning off network censors or the viewing public who just wants to be entertained.

That’s a tall order – but judging from the pilot episode, it just may work.

Fringe is a smart, thrilling, funny and scary series. It holds the potential to be as good as X-Files or Supernatural. That is – if FOX doesn’t cancel the show before audiences find it – as the network has done countless other times.

CAST

  • Olivia Dunham, played by Anna Torv
  • Peter Bishop, played by Joshua Jackson (Dawson’s Creek)
  • Dr. Walter Bishop, played by John Noble (Lord of the Rings)
  • Phillip Broyles, played by Lance Reddick (The Wire)
  • Charlie Francis, played by Kirk Acevedo (Oz)
  • Nina Sharp, played by Blair Brown

ABOUT THE STORY
(SPOILER WARNING)

Fringe follows the lives of a mid-level government security agent named Olivia Dunham (Anna Torv) and the people around her.

But before we get to her, the pilot episode starts out on an airplane during an international flight – when something horrible goes wrong. (So far, this looks and feels like the first episode of LOST – which is odd since that’s the show that J.J. Abrams is famous for creating).

The something wrong here appeared to be some sort of ultra-fast flesh-eating virus that literally causes the flesh to melt off the bones of the plane’s passengers and crew during mid-flight.

It turns out the plane landed safely because of auto pilot landing available at Boston’s airport. That’s when the Feds arrive: CIA. FBI, the CDC and Homeland Security. It turns out that the hero of the story, Olivia Dunham is some sort of inter-agency liaison set up after 9/11.

As agents from the different agencies gather, a man named Phillip Broyles (Lance Reddick) from Homeland Security takes charge – giving assignments to everyone except Dunham. As it happens, sometime in the past, she was an investigator that uncovered that some of Broyles friends were crooked – which led to their arrest. Broyels doesn’t like Dunham and mocks her and her job – but eventually relents and allows her to take part in the investigation – doing grunt work.

As it turns out, Dunham is having an affair with a co-worker – a fellow agent – which is forbidden by their employer. That man also is on the same case.

While checking out a warehouse, Dunham and her boyfriend are caught in an explosion. She had minor injuries – he got – “infected” by some mysterious fatal condition or disease … or something … that made his flesh turn translucent. But the fatality was slowed by inducing an artificial coma and putting him on ice – literally.

That’s the set up for this story. Dunham fights against time and a boss that hates her to save the life of her boyfriend. In doing so, she tracks down a man – Dr. Walter Bishop (John Noble) – who was working on similar technology for the U.S. government in the 1970s. Of course he went nuts and now lives in a loony bin – with no visitors except for immediate family. Her boss will not let her use federal authority to get the guy out of the asylum.

Now we have a woman fighting against time, a boss that hates her and her only hope to save her boyfriend is a man trapped in a loony bin. Getting interesting – if not plausible.

It turns out that all of Dr. Bishop’s immediate family is dead – except for a son – Peter Bishop (Joshua Jackson) who is running from the mob and trying to scam Iraqi government contractors into getting a job in Baghdad. Naturally, Peter Bishop has an IQ of 190 and is a genius like his father. He’s also running from the mob because of gambling debts incurred while trying to get rich off casinos.

Dunham uses some arm twisting and bluffing (the guy is obviously bad at gambling) to get Peter out of Iraq and on a plane to Boston to visit the elder Dr. Bishop – who Peter hates, naturally.

As it turns out, in saving her boyfriend’s life, Dunham uncovers a “pattern” and some secrets that the world governments are keeping from the general population. In this case, those “governments” also include a huge corporation called Massive Dynamic, which is kind of like a cross between Microsoft and GE. The owner of the company is Dr. Bishop’s former lab partner. We don’t met the big boss of Massive Dynamic, but we to meet Nina Sharp (Blair Brown), his left-hand woman (her right hand is bionic).

By the end of the pilot, Dunham has assembled a Scooby gang of sorts which includes the Bishops and her assistant Astrid Farnsworth (Jasika Nicole). Oh, and she also saves the life of her boyfriend, is betrayed and ultimately gains the acceptance and respect of her boss.

He likes her so much, he offers her a new job fighting “the pattern” and unlimited resources to get it done… Hence a series begins.