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June 26th, 2008

Review of Reviews: Critics agree – WALL·E is a SF masterpiece

Wall-ERATED: G | NO SPOILERS

In what may turn out to be the most universal of critically acclaimed films of 2008, WALL·E, a dystopian science fiction cartoon made by Disney’s PIXAR studios shines.

Set 700 years in the future, it revolves around a little robot dealing with the aftermath of life on Earth long after humanity fled the plant due to it becoming uninhabitable from environmental short-sightedness.

In what sounds like a depressing and bleak story, critics agree that instead, this is an uplifting film about hope and love even in the face of seemingly insurmountable odds.

Of critical response, the film was noted for maintaining the PIXAR tradition of being both child-friendly without being mind-numbingly boring for adults. In fact, most critics found the story very appealing because they were adults.

Also, the movie was noted as having some of the best special effects and storytelling of the year.

Following is a collection of reviews by some of the more prominent movie critics:

<!– {rw_good}

  • Special Effects
  • Family Friendliness
  • Doesn’t Insult Intelligence of Adults
  • Good Story
  • Appealing Characters

{/rw_good} –>

<!– {rw_bad}

  • May be too slow or too scary for very small children

{/rw_bad} –>

<!– {rw_score}

{for="National Post – Canada" value="10"}

"An automatic classic that will stand the test of time and sear itself into the collective memory of a generation, WALL-E is so profoundly moving, so quietly eloquent and so purely magical, it may well be movie of the decade." – Katherine Monk

{/for}

{for="Hollywood Reporter" value="9"}

"This is getting to sound like a broken record: Pixar Animation Studios has just topped itself. Again." – Kirk Honeycutt

{/for}

{for="Los Angeles Times" value="9"}

"Part robot romance between two mismatched mechanized marvels, part science fiction saga with deliberate echoes of Stanley Kubrick's '2001,' this may be the first animated feature to pivot around novelist E.M. Forster's famous imperative, 'Only connect.'" – Kenneth Turan

{/for}

{/for}

{for="Chicago Sun-Times" value="8"}

"I thought I had just about exhausted my emergency supply of childlike credulity, but here is a film, like “Finding Nemo,” that you can enjoy even if you’ve grown up. That it works largely without spoken dialogue is all the more astonishing; it can easily cross language barriers, which is all the better, considering that it tells a planetary story." – Roger Ebert

{/for}

{for="Washington Post Family Filmgoer – Kid Friendliness" value="9"}

"Although it is funny and exciting, with vivid characters, albeit robotic, some kids might fidget at times and be upset by some parts. Scary bits include roaring dust storms, explosive lasers and fiery spaceship landings. The movie is preceded by "Presto," a breathlessly funny animated short, also rated G, about a magician and his rabbit." – Jane Hortwitz

{/for}

{/for}

{for="Associated Press" value="9"}

"Within the rumbling, stumbling hunk of junk that is WALL-E beats the sweetest, warmest heart – a robotic representation of humanity's highest potential." – Christy Lemire

{/for}

{for="Chicago Tribune" value="8"}

"All the elements fold into a unified creation. Stanton doesn't strain for a message or for his emotional effects. The story's core may be closer to "The Little Prince" than "The Little Mermaid," but this vision of an optimist surviving a pretty rough patch in his planet's history just plain works. Like Voltaire's "Candide," WALL-E learns to tend to the garden. While I may argue with the little guy's taste in musicals, it's remarkable to see any film, in any genre, blend honest sentiment with genuine wit and a visual landscape unlike any other." – Michael Phillips

{/for}

{for="USA Today" value="8"}

"WALL·E is at once futuristic, funny and fantastical. It’s an extraordinarily captivating adventure, laden with equal parts humor and heart and populated with memorable and endearing characters.” – Claudia Puig

{/for}

{/rw_score} –>

January 2nd, 2006

Top 10 most popular FanDominion stories

Here are the Top 10 most-visited FanDominion pages for 2005:
(Excluding index pages)

  1. Narnia fans: Recipe for authentic Turkish Delight
  2. ABC’s cancelled ‘Nightstalker’ finds new life on Sci Fi Fridays
  3. Most-Successful Sci Fi and Fantasy Movies of 2005 (so far)
  4. Sci Fi adds “John Doe” to Sci Fi Friday starting Jan. 20
  5. Disney angers fans as it “kills off” Christopher Robin
  6. Sci Fi picks up rights to campy NBC soap opera
  7. Axe falls on ‘Nightstalker,’ ABC not to air end of cliffhanger
  8. Film Review: Swinton’s White Witch saves Narnia flick from Disney mediocrity mill
  9. NBC plans time travel adventure series ‘Pen and the Sword’
  10. Lost, Narnia, Medium and Kong garner Golden Globe nods
December 11th, 2005

Disney angers fans as it “kills off” Christopher Robin

Pooh loses his oldest friend as Walt Disney “kills off” Christopher Robin by replacing him with a new Disney-created character for 2007.

Last week, with a major court victory under its belt, The Walt Disney Company consolidated its hold on the film rights the Winnie the Pooh stories and characters. The media giant had been locked in a bitter battle for years with descendants of author A.A. Milne and representatives of his estate.

The Milnes had claimed Disney owed the estate and family millions of dollars in royalties from its profits from the Pooh franchise. Forbes magazine says Pooh generated $5 billion in sales in 38 countries and 29 languages for Disney.

With that issue settled, Disney plans a major re-branding of the Pooh franchise into a computer-animated and decidedly non-Milne direction to be called My Friends Tigger and Pooh, which is set to debut on the Disney Channel in 2007. As part of that makeover, Disney says it has no place for the only human Pooh character, Christopher Robin.

This has Winnie the Pooh fans in an uproar. A.A. Milne created the Pooh stories specifically for his son, Christopher Robin Milne.

The first Pooh stories appeared in print in 1926. For its 80th birthday, Disney plans to scrap the original concept of a gentle, idyllic 100-acre wood that has appealed to generations of children and rebuild the Pooh universe as an action-oriented cartoon for the Disney Channel.

“The feeling was these timeless characters really needed a breath of fresh air,” Nancy Kantor, Vice President of Programming at Disney said.

That means in a bid to appeal to its target audiences, gentle British Christopher Robin was given the sack. He will be replaced by an (as yet) unnamed little girl, an American character Disney calls an action-loving tomboy.

December 11th, 2005

Film Review: Swinton’s White Witch saves Narnia flick from Disney mediocrity mill

The Chronicles of Narnia: The Lion, The Witch and The Wardrobe

6 out of 10
The Chronicles of Narnia: The Lion, The Witch and The Wardrobe (2005)
NO SPOILERS

If only I were 30 years younger, I’d probably adore this film.

First of all for the avid C.S. Lewis fans, rest assured, that by far this is the best film adaptation of this book ever, it easily eclipses previous TV versions filmed in 1967, 1979 and 1988.

For non-fans of C.S. Lewis, The Chronicles of Narnia: The Lion, The Witch and The Wardrobe (LWW), is a nice little family film that at times is reminiscent of Lord of the Rings, but without its touches of masterpiece. Also unlike the Lord of the Rings trilogy, this Narnia film has slow parts that some viewers may find utterly boring.

And to put one so-called controversy to rest for good. There has been a lot of hype in the media about this film’s Christian overtones. Sure they are there as broad themes – but that’s it. No where in the film are the words “God” or “Jesus” spoken.

I’m suspecting that the PR people at Disney created this controversy to get media attention away from Harry Potter and the Goblet of Fire – which is a better movie, by the way.

But back to this film. Ever since the first teaser previews started appearing in theatres for this film, I was caught up like many others in anticipation of this film. After having seen it, I can say it was well worth the ticket price, but I’m not sure I’ll be buying the DVD when it comes out.

I think the main flaw with this version of LWW is that I am an adult and at its heart, this is a Disney film. When a hero kills a villain with a sword and is told to clean it, I expect to see blood on it – or at least some consequence of the violent act.

As an adult without children, this film was just too sanitized. The violent deaths and blood and … realistic consequences to deadly action happen off camera. That’s OK in many cases. There really is no need to show blood and gore for blood and gore’s sake in a movie like this.

But in this case, I think the film makers went a little overboard. It has been so scrubbed clean … it verges on being boring. And with some of the best special effects, wonderful acting and gorgeous scenery – that was a hard thing to do. But somehow, the makers of this film turned what should have been a blockbuster into something merely OK. Too bad.

Despite that, I found some parts of The Lion, The Witch and The Wardrobe to be brilliant, including:

  • Direction by Andrew Adamson (Shrek, Shrek 2). Here Adamson uses his skills honed in 3-D animation to perfection. He also knows enough to play up the comedic parts of what could have become a preachy film.
  • The computer-generated animals. It is amazing how far this technology has progressed. The animals actually look and act like real animals. I was astonished at the realism and how seamlessly the live actors blended in with what are basically high-tech cartoons.
  • Tilda Swinton (Constantine, Vanilla Sky, Orlando) as the “White Witch.” With this performance, we see one of the best villains to appear on screen in the past decade … or longer. Swinton’s witch is pure evil in a befittingly original and chilling way. You actually believe that she is capable of doing the acts she does in this film.
  • The two youngest cast members, Georgie Henley as “Lucy” and Skandar Keynes as “Edmund” shine. These two, and Swinton carry this movie. They saved this show from the mediocrity the producers seemed hellbent to create.

RATINGS
Overall: 6 out of 10
MPAA Rating: PG
Genre:Fantasy
Sex: None.
Violence: Fantasy violence. Unrealistic consequences to violent behavior.
Special Effects: Excellent
Other: Definitely a children’s film.

CAST
Tilda Swinton … White Witch
Jim Broadbent … Professor Kirke
Georgie Henley … Lucy Pevensie
Skandar Keynes … Edmund Pevensie
William Moseley … Peter Pevensie
Anna Popplewell … Susan Pevensie
James McAvoy … Mr. Tumnus
Liam Neeson … Aslan (voice)
Ray Winstone … Mr. Beaver (voice)
Dawn French … Mrs. Beaver (voice)
Rupert Everett … Fox (voice)

October 25th, 2005

Muppets to return to primtime with reality TV parody

A decade after being exiles from primetime network TV, the Muppets are returning with a new, six-episode limited-run series in 2006.

Called America’s Next Muppet, the miniseries, made by the Disney-owned Jim Henson production shop, targets its satirical eye on the much overdone reality TV genre. Henson creators think they have found fertile ground for comedy.

The news of the series originally leaked to Muppet fan sites earlier this year in a viral marketing campaign being waged by Disney. After months of speculation, ABC finally is acknowledging the show is really in production to mainstrem press.

The show sets its comedic sites on the faux rags-to-riches reality talent/game shows FOX’s American Idol and UPN’s America’s Next Top Model. Official air dates for the miniseries have yet to be announced by ABC.