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August 14th, 2010 by Davodd

Remembering Susan M. Garrett

[media-credit id=1 align="alignleft" width="153"][/media-credit]Author Susan M. Garrett died today after a months-long battle with cancer. Aside from being a professional writer (Intimations of Mortality, 1997, Berkeley, ISBN: 978-1572973138), she also wrote several unpublished novels and was actively involved in the fan fiction community, where she had a sizable fan base.

At her heart, Susan M. Garret was a storyteller, “Officially, I’ve been writing fiction since I was eight years old,” she said in one of her biographies. “It all began with fan fiction–they didn’t make enough new episodes of my favorite Saturday morning cartoon and children’s shows and so I started writing my own.”

From there, her writing took off. She had been published hundreds of times in various fanzines, including works of non-fiction as well as original fiction and fan fiction. It’s in fan fiction circles where the name Susan M. Garret gained an iconic status; a guarantee that a first-rate yarn was in store for the reader, true to the original characters.

She developed quite a large fan base with her original works based on the worlds of The Secret Adventures of Jules Verne and Forever Knight. It was her reputation in the latter that led to her book deal with Berekely in the 1990s.

Aside from developing a fan base of her own, Susan was a die-hard fan herself, where her fan career began in earnest in 1976, when she was inducted as the first American female into the UK’s storied Doctor Who Appreciation Society. A life-long fan of the Doctor and his adventures in the TARDIS, she kept up with the series until the end.

A publisher of several fanzines through the years (see partial list below), she had a distinguished impact on fandom in general and was the co-creator of the satirical “Not The MediaWest*Con Program Book” with Ann Larimer, that was distributed at MediaWest for many years.

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Between 1989 and 1992, she published The Handy Dandy Adzine Calendar and Address Guide for Fanzine Editors and Other Busy People, a bi-annual adzine for and about adzines that was distributed at fan conventions and via the mail.

She also was the creator of two publications regarding fan publishing: The Fantastically, Fundamentally Functional Guide to Fanzines for Readers & Contributors in 1989, and The Fantastically, Fundamentally Functional Guide to Fanzines for Editors & Publishers in 1990.

[media-credit name="SUSAN M. GARRETT (Source: SFF.net)" align="alignright" width="197"][/media-credit]

She had a particular impact in science fiction and fantasy TV fandom as it came of age in the 1990s.

She was a top BNF (big-name fan) among Doctor Who (1970s-80s), Forever Knight (1990s), and most recently The Secret Adventures of Jules Verne (SAJV). It was her work in SAJV fandom that is still being felt today. She, along with a small team of dedicated fans, set up a multi-media network to save the show that had been cancelled by the SCIFI Channel – consisting of inter-linked websites,  PR campaigns to advertisers and DVD/video distributors, and very detail-oriented and precise attack plans and events at fan conventions made the industry and other fans stand up and take attention.

Although it was too late to save SAJV, others took notes and those same tactics were later used in other campaigns, including the successful effort after FOX cancelled the series Firefly, in which many tactics originally developed by SAJVers under the tutelage of Susan M. Garrett led to Universal movie studio making the feature film, Serenity.

By that time, Susan started devoting more of her time practicing her writing. Born and raised on the east coast, but always fascinated by the lure of Hollywood (she was an extra in a 1999 episode of Homicide: Life on the Street when it filmed in Baltimore) Susan jumped at the chance to switch coasts when the opportunity arose in 2002 to move to the Los Angeles-area and be room mates with fellow SAJVer and empty nester with a room to spare, Vicci Varner. There she lived and wrote in the foothills overlooking Los Angeles for the past 8 years.

But, after a routine medical procedure in April 2010 revealed that Susan M. Garrett had advanced Stage 3 colon/stomach cancer, she spent her last months fighting the disease in her adopted home; as usual, she lived at the Varner house as part of the family until the end – with the help and care of her long-time friend and room mate, Vicci Varner, and her brother, Shawn. Recently, she was transferred to the intensive care unit of Cedars-Sinai Hospital in Beverly Hills, where she spent her 49th birthday. Her battle with cancer ended three days later with her drifting off in her sleep, on Saturday, August 14, 2010.

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LINKS

Although she has left us, Susan M. Garrett lives on in cyberspace. Below are a few links about her and her works:

August 14th, 2010 by Davodd

Sneak Peek: PBS documentary ‘Four Days at DragonCon’

Public Broadcasting Service

Image via Wikipedia

Starting this Labor Day, PBS stations will start airing a slice of fandom with the one-hour documentary, Four Days at DragonCon. Filmed by Atlanta- based documentarians, Jack Walsh and Gordon Ray during the 2009 con, the film is set to debut 9 p.m. (ET) Aug. 28 on WPBA PBS 30 in Atlanta and then roll out nationwide to other PBS member stations in the following months.

Dubbed in the media as “Woodstock for nerds,”  ”the ultimate pop culture convention” and “the South’s sci-fi fantasy Mardi Gras,” this is no small regional sparsely-attended fan convention as Dragon*Con has grown to become the largest fan-run science fiction and fantasy convention in the world with tens of thousands of attendees taking up more Atlanta hotel space than the 1996 Summer Olympics (true, ComiCon is larger and gets more attention – but it is put on by a large corporation, not volunteer fans – and it shows.)

Below is a sneak preview of “Four Days at DragonCon”

August 12th, 2010 by Davodd

Syfy renews Merlin for 13-episode 3rd season

The Syfy channel announced today that it has picked up Merlin for its third season with 13 new episodes planned for

List of Merlin characters
Bradley James as Prince Arthur on BBC/Syfy’s “Merlin.” (Image via Wikipedia)

spring 2011 after first airing on BBC One in the UK starting in September 2010.

“We are thrilled that Syfy will be broadcasting the third series of Merlin. The upcoming season will add an exciting new twist to Merlin’s ongoing struggle to protect Prince Arthur, as well as thrilling audiences with bigger and bolder action sequences, stunning CGI monsters, mysterious villains and comic fun for all the family,” Merlin creator and executive producer, Johnny Capps said in a written statement.

Syfy citing ratings as a prime reason for the announcement. Merlin almost doubled Syfy’s Friday 10 p.m. timeslot overr the previous year. “The enchanting imagination of Merlin proved very popular with our audience and we’re delighted to bring the series back for a third season on Syfy,” Chris Regina, Syfy VP of programming, said.

August 12th, 2010 by Davodd

When the new season of your favorite genre show starts

TV choices continue to trudge through the dog days of summer; filled with endless reruns and so- Called “reality” programming.

Despite a few bright spots on cable and network TV – most notably Sunday night’s vampire melodramas True Blood on HBO and the much-better than expected The Gates on ABC, as well as Friday’s quirky fantasy series, Warehoue 13 and Haven on Syfy – genre TV fans are in the doldrums on the other 5 nights of the week.

One bright spot is that the new 2010 Fall TV season starts in a few short weeks. This is your guide to the debut dates of the returning genre TV programs (and a couple new shows, too).

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March 22nd, 2010 by Davodd

The man who bought the Moon

Video game designer and avid space enthusiast, Richard Garriott was profiled by National Public Radio (NPR) this past week. It wasn’t for his game production skills; the creator of Ultima and producer of City of Heroes, City of Villains and Tabula Rasa was noted because a junker car he bought in the 1990s that had been missing for years had finally been found – on the Moon (yes, The Moon … Luna).

That “junker” is the Lunokhod 2, a Soviet-era space exploration vehicle was abandoned by the USSR space program in 1973 after it broke down during one of its missions.

In 1993, for $68,000 Garriott bought the Lunokhud 2 vehicle at an auction at Sotheby’s in New York.  At the time, that purchase was widely derided in the international press as an embarrassing showing of American hubris – especially because the lander/rover was lost and unseen for decades.

Unseen, that is, until earlier this month when a team at the University of Western Ontario, using photographs from NASA’s Lunar Orbiter,  discovered the rover – after 37 years of being lost in space.

But now that it’s been found, Garriott has no interest in returning the rover to Earth.

A true Heinlein-esque capitalist, he says the rover is much more valuable as a stake of claim on prime Lunar real estate. And, he says, international treaties back this claim up. You can hear more about this in this attached audio link.

For a transcript:

http://ww.npr.org/templates/transcript/transcript.php?storyId=124956591

Here’s an interesting bit of tivia: This was not Garritt’s first brush with space.

—–

The son of Owen K. Garriott, a NASA astronaut who spent more than two months in space back in the 1970s, the younger Garriott instead made a name – and a fortune – for himself in entertainment gaming software. In 2008, some of that high-tech fortune was spent paying the Russian space agency to take him up on a trip to the International Space Station in 2008 – making Richard the first second-generation man in space.

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March 17th, 2010 by Davodd

Vampirella gets Dynamite new home

After languishing in recent years at Harris Publications and its bizarre fight with Fangoria, the 40-year-old Vampirella comic book franchise has a new home with Dynamite Entertainment.

“Vampirella is one of the most well known and longest running comic characters in the history of the business,” Nick Barrucci, Dynamite’s president said in a March 17 press release. “Outside of Marvel and DC characters, very few comics characters that debuted in the 60′s still resonate with fans today.”

Created by N3F member, the late Forrest J Ackerman, as a mix of costumed superhero and horror heroine, Vampirella joins Dynamite’s growing stable of household name titles such as Green Hornet,  Red Sonja and Buck Rogers. Niether a price tag nor a target launch date for the first issue of Vampirella under the Dynamite brand was announced with news of the sale.

Vampirella debuted in 1969 as a black-and-white title, but with memorable art by Frank Frazetta, the comic – the first to feature a vampire as the lead hero – quickly made a name for itself, spawning horror title imitaions at both Marvel and DC.

During its storied past, many writers have penned issues of the comic, including Alan Moore, Mark Millar, Grant Morrision, James Robinson, Jeph Loeb and Warren Ellis. After Frazetta left, other artists to step into his shoes in the following four decades included  Joe Quesada, J. Scott Campbell, Michael Turner, Jae Lee, Adam Hughes, Mark Texeira, Joe Jusko, and Arthur Suydam.

Read the official Dynamite press release here:
http://www.dynamiteentertainment.com/htmlfiles/pressrelshow.html?display=PR03161083144

March 17th, 2010 by Davodd

SXSW: Phillippe confirms he’s auditioned for Captain America

Ryan Phillippe, the 35-year-old actor of Oscar-winning non-genre films such as Crash and Clint Eastwood’s Flags of Our Fathers confirmed recent rumors that he has, indeed, auditioned for the lead role of Steve Rogers in the upcoming film adaptation of Marvel’s Captain America, according to various news reports.

Phillippe joins an increasingly long list of 30-something actors who have auditioned for the part, including Channing Tatum and John Krasinski.

One part has been cast, according to the Hollywood Reporter. Hugo Weaving (The Matrix trilogy) has signed on to play arch-villain, the evil Nazi, Red Skull.

According to IMDB, Captain America is set for a July 22, 2011, debut in theaters.

Phillippe was at the annual South by Southwest (SXSW) Con to promote his new May-premiering movie, the comedy MacGruber, based on a recurring Saturday Night Live skit and starring Will Forte.

April 5th, 2009 by Davodd

Review: Scab

scab-flRATING: R (Graphic Sex, Nudity, Gore, Violence, Language)
OPENS: Currently playing the art-house circuit and expected on DVD for Halloween 2009.
GENRE: Horror, Gay, Indie

CHILD FRIENDLY: NO
PARENTAL WARNING: This is a film for adults. It has graphic gore, violence, same-sex sexual situations, full frontal nudity . This is ot a film you’d want to watch with any of your family members in the room – let alone children.

This film is not for the faint of heart – or the easily offended. It is full of gore, violence, seedy graphic sex (both heterosexual and homosexual) and language that would make a sailor blush.

But if that kind of stuff doesn’t bother you, Scab offers an original take on the vampire mythos.

Throughout the literary and filmed history of movies, the line between vampirism and sexuality has been blurred – at best. In Scab, the debut film by writer-director Thomas Jason Davis, who explains his own film’s matter-of-fact take on sexuality:

In my twisted little geek-boy fantasy, the lusted-for slut-boy Ajay finally admits that he loves the geek. It’s like Sixteen Candles with cockrings. Say Anything with fangs and lube and a touch more self-loathing.

- Thomas Jason Davis, Director

The Plot

The movie starts with a rather graphic and violent gay one-night stand where Ajay learns “not” doesn’t always mean know at the hangs of a vampire.

We have our initial assessment confirmed in the following scene through his two friends, Teague and Floor, talk – unknowing what happened to Ajay – discussing how their good friend Ajay is a slut who is living an empty life. We also learn that nerdy Teague has an unrequited crush on Ajay and the hunky and straight Floor is a heterosexual version of Ajay who is not above flirting with anyone – men or women – to get advantage of a situation.

Needless to say, the next time we see Ajay, he’s woken up undead and is dealing with his new hunger for neck tartar and loses touch with Teague and Floor, who come over to check in on their friend.

This leads to a road trip to Las Vegas for the three, where their journey brings about some much-needed self discovery – with a body count. This is a vampire movie, after all.

The film crates yet another mythos of what vampirism is and how it spreads. In doing so, it eliminated the already blurred line between vampires and sex.

WATCH THE TRAILER

WARNING: Course language

[http://www.youtube.com/watch?v=r9KETJHoKm0]

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April 2nd, 2009 by Davodd

Review: Kröd Mändoon tickles the brain as well as the funny bone

 

Kröd Mändoon and the Flaming Sword of Fire – following the exploits of a neurotic hero, a free loving pagan warrior woman, a conman/sorcerer, a pig-troll-man, and a fiercely proud queen as they quest to fight evil while battling to overcome their own foibles.

krod-flNETWORK: Comedy Central
DAY: Thursdays 10 p.m. (9 Central)
STARTS: April 9, 2009

GENRE: Raunchy Action-Adventure, Anachronistic Period Comedy, Fantasy, One-Camera Sitcom (no laugh track)
RUN: 6 episodes (Premiere: 1-hour; other eps: 30 min.)

CHILD FRIENDLY: No
PARENT WARNING: Although semi-adult language may be a concern to some, the overriding theme of this show is its sexuality with the open mocking of heterosexual and homosexual foibles. This is refreshing for an adult audience – but may not be appropriate for children.

EYE CANDY: Lots of well-toned male and female body parts are shown. But rest assured, the only nipples on display are male.

(NO SPOILERS)

I have to be honest that when I heard that Comedy Central was planning a spoof series lampooning the sword and sorcery genre, with the name of Kröd Mändoon and the Flaming Sword of Fire, my reaction was more about skepticism than excitement.

Let’s face it, Comedy Central is much more frat boy than fanboy.

Added to that, the title character is played by British actor Sean Maguire – best known to American audiences as “Leonidas” in the groaningly un-funny and not-good 300 spoof, Meet the Spartans.

So, when I sat down to watch the reviewer’s screening pilot episode, I was dreading the worst. Boy, was I wrong.

This show is brilliant. Seriously. Despite some cheap shot broad comedy and fleshy gratuity, I was laughing out loud and wishing out loud that the episode was longer than a mere hour.

HERE’S WHY THIS SHOW IS GOOD: The WRITING

The studios that created this series are MTV Networks and the BBC, believe it or not. How can this be any good?

It’s quite simple: the creative energy behind this show is BBC Television – not Comedy Central parent, MTV Networks. That means the writing is witty, subversive and written for folks with IQs in the three-digit range. But the MTV influence really helps this show be more accessible to a broader audience. Somehow it works.

The creative force is series creator Peter A. Knight, creator of turn of the century cult favorite, Big Wolf on Campus.

HERE’S WHY THE SHOW IS GREAT: The VILLAIN

The old saw in fannish circles is that a heroic adventure series is only as good as its villain. If that is true, Krod Mandoon is destined for greatness.

Here, the personification of petty blithe evilness is Chancellor Dongalor, played by the glorious Matt Lucas, from Little Britain . He brings his talent for being unabashedly unselfconscious and somehow brings a sense of wit and dignity to what otherwise would be a series of cheap gross-out scenes in less able hands.

The character Dongalor is self-centered and so ignorantly blissed out in a stream of consciousness manner, he is a joy to watch. It’s like he embodies all that is shockingly hilarious about the best of Monty Python and Saturday Night Live skits.

OH YEAH – THE STORY

This show follows the all-too-familiar formula of an unwitting but able hero who discovers and accepts his destiny to save the world from an evil overlord. And as you can tell by the title, it has a flaming sword in it.

I’d tell you more, but I promised no spoilers.

THE CAST
The obligatory “Scooby Gang”:

  • Sean Maguire (Eastenders, Meet the Spartans) as Krod Mangoon, the “golden one”
  • India de Beaufot (Run, Fatboy, Run) as Aneka, the pagan warrior
  • Steve Speirs (PotC: Dead Man’s Chest) as Loquatso, the half ogre
  • Kevin Hart (Superhero Movie) as Zezelryck, the sorcerer
  • Marques Ray as Bruce, the widow queen

 

Other Noteworthy cast members and future guest stars:

  • Matt Lucas (Little Britain) as Chancellor Dongalor
  • John Rhys Davies (Lord of the Rings trilogy) as Grimshank
  • James Murray (Primeval) as Longshaft
  • Roger Allum (V for Vendetta) as Gen. Arcadius


September 14th, 2008 by Davodd

Review: FOX’s Fringe is a creepy good time

The newest high-profile science fiction TV series debuted this past week. Created by J.J. Abrams (LOST), it follows the live of a government agent who stumbles upon one the biggest secrets in the world – and she finds out there is no going back. Following is a review of the pilot episode of this new series, Fringe.

Airs: Tuesdays, 9 p.m. (ET/PT)
Network: FOX
Rating: TV-14 (Graphic Violence, Language, Adult Situations)

First of all, let’s settle one dispute: Fringe is not a true “science fiction” series. The physics used in the show do not add up. The “science” behind the wonders depicted in this series is just too unbelievable to be taken seriously. So don’t. If you can get past that, you will probably enjoy this series.

If you must label the show with a specific subset of genre fiction, Fringe would fall under “science fantasy” – which is just like any other fantasy story, except the traditional trappings such as magic potions, spells, and crystal balls are replaced by the trappings of science. Potions become drugs; spells become computer code and mathematical algorithms, and crystal balls become the Internet. The list goes on, but you get the point.

According to interviews in the mainstream press, J.J. Abrams wanted to recreate the allegorical qualities of classic science fiction, fantasy and horror TV such as that written by Rod Serling. His goal is to comment on today’s society while using a fantastic world of fiction to depict harsh realities without turning off network censors or the viewing public who just wants to be entertained.

That’s a tall order – but judging from the pilot episode, it just may work.

Fringe is a smart, thrilling, funny and scary series. It holds the potential to be as good as X-Files or Supernatural. That is – if FOX doesn’t cancel the show before audiences find it – as the network has done countless other times.

CAST

  • Olivia Dunham, played by Anna Torv
  • Peter Bishop, played by Joshua Jackson (Dawson’s Creek)
  • Dr. Walter Bishop, played by John Noble (Lord of the Rings)
  • Phillip Broyles, played by Lance Reddick (The Wire)
  • Charlie Francis, played by Kirk Acevedo (Oz)
  • Nina Sharp, played by Blair Brown

ABOUT THE STORY
(SPOILER WARNING)

Fringe follows the lives of a mid-level government security agent named Olivia Dunham (Anna Torv) and the people around her.

But before we get to her, the pilot episode starts out on an airplane during an international flight – when something horrible goes wrong. (So far, this looks and feels like the first episode of LOST – which is odd since that’s the show that J.J. Abrams is famous for creating).

The something wrong here appeared to be some sort of ultra-fast flesh-eating virus that literally causes the flesh to melt off the bones of the plane’s passengers and crew during mid-flight.

It turns out the plane landed safely because of auto pilot landing available at Boston’s airport. That’s when the Feds arrive: CIA. FBI, the CDC and Homeland Security. It turns out that the hero of the story, Olivia Dunham is some sort of inter-agency liaison set up after 9/11.

As agents from the different agencies gather, a man named Phillip Broyles (Lance Reddick) from Homeland Security takes charge – giving assignments to everyone except Dunham. As it happens, sometime in the past, she was an investigator that uncovered that some of Broyles friends were crooked – which led to their arrest. Broyels doesn’t like Dunham and mocks her and her job – but eventually relents and allows her to take part in the investigation – doing grunt work.

As it turns out, Dunham is having an affair with a co-worker – a fellow agent – which is forbidden by their employer. That man also is on the same case.

While checking out a warehouse, Dunham and her boyfriend are caught in an explosion. She had minor injuries – he got – “infected” by some mysterious fatal condition or disease … or something … that made his flesh turn translucent. But the fatality was slowed by inducing an artificial coma and putting him on ice – literally.

That’s the set up for this story. Dunham fights against time and a boss that hates her to save the life of her boyfriend. In doing so, she tracks down a man – Dr. Walter Bishop (John Noble) – who was working on similar technology for the U.S. government in the 1970s. Of course he went nuts and now lives in a loony bin – with no visitors except for immediate family. Her boss will not let her use federal authority to get the guy out of the asylum.

Now we have a woman fighting against time, a boss that hates her and her only hope to save her boyfriend is a man trapped in a loony bin. Getting interesting – if not plausible.

It turns out that all of Dr. Bishop’s immediate family is dead – except for a son – Peter Bishop (Joshua Jackson) who is running from the mob and trying to scam Iraqi government contractors into getting a job in Baghdad. Naturally, Peter Bishop has an IQ of 190 and is a genius like his father. He’s also running from the mob because of gambling debts incurred while trying to get rich off casinos.

Dunham uses some arm twisting and bluffing (the guy is obviously bad at gambling) to get Peter out of Iraq and on a plane to Boston to visit the elder Dr. Bishop – who Peter hates, naturally.

As it turns out, in saving her boyfriend’s life, Dunham uncovers a “pattern” and some secrets that the world governments are keeping from the general population. In this case, those “governments” also include a huge corporation called Massive Dynamic, which is kind of like a cross between Microsoft and GE. The owner of the company is Dr. Bishop’s former lab partner. We don’t met the big boss of Massive Dynamic, but we to meet Nina Sharp (Blair Brown), his left-hand woman (her right hand is bionic).

By the end of the pilot, Dunham has assembled a Scooby gang of sorts which includes the Bishops and her assistant Astrid Farnsworth (Jasika Nicole). Oh, and she also saves the life of her boyfriend, is betrayed and ultimately gains the acceptance and respect of her boss.

He likes her so much, he offers her a new job fighting “the pattern” and unlimited resources to get it done… Hence a series begins.